A play is not a novel with the description removed. Acts and scenes, a script editor where the keyboard does the formatting, and an AI that writes scenes as exchanges between people who want different things — then checks the things generated dialogue always gets wrong.
No subscription. No credit card. Pay only for what you generate.
Type a name, press Enter, type the line, press Enter again. Tab turns a line into a stage direction and back. You never reach for the mouse and never fight an indent — the page looks like a script because it is one.
MARCO
You said you would come alone.
(She sets the suitcase down without looking at him.)
ELENA
I did.
In a novel the prose hides a weak line. In a play the dialogue is all the audience gets, so the same faults are fatal — and they are specific enough to catch.
Every entrance and exit is tracked, so a character who leaves and then speaks without coming back is flagged as an error — not by a language model guessing, but by reading the script.
AI dialogue names its own feelings: characters announce that they are angry, explain the backstory to someone who lived it, and say the theme out loud. Each of those lines is flagged with a concrete rewrite.
Give each character a voice — register, verbal habits, how they avoid a question — and the AI writes to it. A check reads the scene back for lines that could belong to anyone.
Final Draft (.fdx) for anywhere that asks for a script file, and a PDF laid out the way a rehearsal script is read — cues above their lines, stage directions set apart, and every speech numbered so the room can call "scene two, line fourteen".